Let´s Dance - Oct 19th, 2022 - podcast rec./presented live

all big dance orchestras 
incl
Hugo Strasser
Max Greger
Tony Evans
Rudi Bohn
Günther Noris
Ed Sperber
James Last
Kai Warner

and the dancable sounds of pop

Transcript

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SPEAKER_00 2:39

This is less dance.

SPEAKER_16 3:57

Let you know. Let you know.

SPEAKER_00 17:05

This is Let's go.

SPEAKER_01 21:47

Listening to Pop Monial Radios. Let's dance. Alright personally, welcome you to our Let's Dance podcast here on Pop Mondial Radio. It's a chuck-chuck-chuck. This is the James Lasse Orchestra before we heard Kai Warner, Lana Tauber, Hugo Strasser, Rudy Bonner, and the big band of the German army. Um music keeps on swinging here on Pop Mon Yard. Upside downside.

SPEAKER_07 30:47

Upside down with turn to me. You hear it louder, round and round you turn the main. Round the round, upside down, baby turkey, inside out, round the round, upside and down, paper turkey, in side out, round the round, think of me, you're giving me the love that I need.

SPEAKER_09 31:18

I care if the more we're thrilled.

SPEAKER_08 31:22

Respectfully, I see the thing I'm aware that you see.

SPEAKER_07 31:26

When no one makes me feel like you do, make turkey, inside out, round around, upside down, babe turkey, and by out, round around.

SPEAKER_09 31:48

I know you got your bound appear you all make the wheel. I'm crazy to bring you our mind. Come in here.

SPEAKER_07 32:05

Oh, paper turkey, and tie it out. In fact, round around.

SPEAKER_22 32:23

Instinctively, you get me a lot bad honey. I carry it on you.

SPEAKER_09 32:31

Oh carry on. Respectfully I feel I'm aware of that dear cheap. Well no one makes me feel like you do.

SPEAKER_07 32:40

Oh, make a turkey, and by it out, round around, I'll die down, make a turkey, and by it out, round around the turn, you're in the low. Take the big round and ground your turn, make your pin below.

SPEAKER_02 33:40

Round the round, round, down, down, paper, turkey, paper, twelve, side out, round the round, down this whole world starts getting me down, and people are just too much for me to face I climb way up to the top of the stairs, and all my cares just drift right into space on the roof, it's peaceful as can be And there the world below can't bother me. Let me tell you now when I come home feeling tired and weak. I go up where the air is fresh and sweet.

SPEAKER_01 34:58

I get away from the hustling crowds and all that rap reason noise down in the street on the roost, the only place I know where you just have to wish to make it so I'd have to go up on the roof at night the stars put on a show for free And only you can share if all who is me I keep a telling you the right smack dab in the middle of town I found a paradise that's trouble proof and if this world starts getting you down, there's room enough for two up on the roof Come on baby with three I yeah comes with a word for three I'll read everything. I suggest some I'll send you all my love every single step I take I'll take I'll send you all I'll send you on my choice of touch on uh slow walls, Vienna Walls, um Roomba and um quick steps um before this was a bit more difficult for beginners. Um I suggest a sumbuck. But you can do a disco fox on almost anything. But you can't do a three-quarter on a four-quarter. Um one, two, three, one, two, three. Well, with a samba it works actually fast, uh words um fifty-five beats per minute. Um cubic source, that's El Gatomondis. This is uh Pasadoble. Well, I'm using this break um to tell you more about less dance. Well, we have um do have our beach party um sequence as well, but we did public events since 1984 in um uh in Bavaria, in Nuremberg, and Erlang on radio as well, and since 2009 definitely as well here on Pop Mondial Radio every Sunday. So uh the next come um um award hit from Italy as a foxtrot um in the original version. You listen to Pop Mondial Radio.

SPEAKER_02 45:42

I feel this is my lucky day, March twenty-third. Oh no, your lucky day is the twenty-four.

SPEAKER_09 45:47

I mean the twenty four. It's one thirty already. It's morning.

SPEAKER_20 45:50

Yes. And what a lovely morning. Good morning.

SPEAKER_10 45:57

Good morning.

SPEAKER_20 45:58

We've talked the whole night through. Good morning.

SPEAKER_10 46:01

Good morning to you. Good morning. Good morning.

SPEAKER_17 46:07

It's great to stay up late. Good morning.

SPEAKER_11 46:10

Good morning to you. When the band began to play, the stars were shining bright.

SPEAKER_02 46:18

Now the milkman's on his way. It's too late to say good night. Good morning.

unknown 46:24

Good morning. Good morning. Good morning. To you and you and you and you. Good morning.

SPEAKER_20 46:33

Good morning.

unknown 46:38

Good morning to you.

SPEAKER_20 46:42

In the morning, it's great.

unknown 46:45

Stay up late.

SPEAKER_20 46:46

Good morning.

unknown 46:47

Good morning.

SPEAKER_10 46:48

Might be just a zippy if we was in Mississippi.

unknown 46:51

When we left the movie show, YouTube wasn't right. But came down. Show me on and I don't wanna say good night. Good morning. Good morning. Good morning. Bonjour. When I'm fixed. Good morning.

SPEAKER_16 47:15

Good morning.

SPEAKER_01 47:16

Well, tap dancing um is one uh kind of dancing, of course. We love it as well. But uh you don't have to practice it and because tap dancing you do all alone. We prefer the ballroom dancing, uh cha-cha-cha, letin, and um pop Latin Way. Here uh Umlauni Ni with Mamana was a film music track uh from Italian film uh which was picked up in America and became as a summing thing mana mana uh emoted in the late 60s. We have next to come Johnny and Mary in a swing adaptation by French Martin Taylor, Phil Callum, we just said it, um Sammy Davis Jr. and um Willie Nelson, Derek and Domino's with the original Lila, uh with of course Eric Lapton and Yvette Sangalo with uh Zumba!

SPEAKER_11 48:24

Here, let's dance on Pop Mondial Radio, la nuit c'est toi, la nuit et j'attends de vivre qui je ne sais pas, j'ai envie de bébé, j'ai envie de biblique il y a ton soldat qui comme moi ce soit solitaire pour lui foncer, je vous fais dans l'huile une couche pensée pour garder, pour filer, pour filer pour moi, pourquoi j'entends d'un puits de pas caca qui vient Mais tout est pas époux de filons La nuit ne finit pas La lune déflat Il y a des jardins Et moi je suis là pour toi Once upon a time made a cheering troubles along with sharing love And not too many rubles I did it You said it I told you so One of us is to blame I don't know You said it You said it You said it You said it again You said it You said it You said it You said it again Understand I need I say all of you Give and take some mind Like you know we used to I did it you said it I told you so one of us is to blame I don't know if you're gonna go You said it You said it You said it You said it again You said it You said it You said it You said it again Getting in our hand every time we quarrel Words that hurt and tear unnecessary hassle I did it you said it I told you so one of us is to blame I don't know It was a track more for the advanced dancers Um to recognize that it was a slow fox more easy to uh easily to recognize is Kai Wanna's uh Samsung d'amour as a slow fox to come next year on Pop Mondial Radios.

SPEAKER_16 55:57

Let's dance, you know, you're gonna be able to do that.

SPEAKER_01 58:37

Classic Slowfox, this is Nat King Cole. Let there be love, let there be swing music, swinging dancing music here on Top Mondial Radio Let there be you, let there be me, let there be oysters under the sea, let there be wind, an occasional rain, chilly kancani, sparkling champagne, let there be birds sing in the trees, someone to bless me whenever I sneeze, let there be cuckoos, a lock and a dough.

SPEAKER_25 1:00:05

But first of all, please let there be love. But first of all, please let there be love.

SPEAKER_01 1:01:00

Love and popcorn yard. Let there be let's stand on popcorn yard radio.

unknown 1:06:28

I'm glad they came along.

SPEAKER_11 1:06:31

I dedicate the song to all the girls I'd love before.

SPEAKER_17 1:06:39

To all the girls I want a wheel. And may I say I am the work?

unknown 1:06:54

I've went to all the girls I ever loved before.

SPEAKER_16 1:07:02

The wheels of change always grow. Every time I stay. Of all the girls I love before.

SPEAKER_17 1:08:12

The winds of change are always drawing.

SPEAKER_16 1:08:18

Every time I try to stay the wheels of change continually rolling.

SPEAKER_01 1:08:52

Well, call it the blues. Uh call it something like uh Fox your hugging your your wife, your dance partner.

SPEAKER_16 1:09:03

All the girls we love.

SPEAKER_17 1:09:13

We're glad they came along. We dedicate this song to all the girls we love.

SPEAKER_01 1:09:26

Well this is Pop Mondial Radio's Let's Dance flagship show since the beginning. And um this is Eric Clifton. This is the original version of all versions. And you can dance whatever you want to dance to it. Uh these are Derek and the Domino's with Lila, of course. Recorded in 1970 already on a track called Lila. Well you can find it on the cream of Eric Clafton compilation, but you can find it as well at many albums um uh which are dating back to rock classics. Uh when I said you can dance to it whatever you want to, but it's blues, it's um rock, it's um three backs. But the next one comes definitely from Brazil. It's an original Brazilian song. The original Brazilian uh singer, songwriter. Wow.

SPEAKER_19 1:16:14

From the um uh the new Zumber School um we have music live from Vet Sangallop Mondial Radios, let's dance Quero chorar, não tenho lágrimas, não é mais facil, pra me socorrer Se eu chorasse, talvez estava fácil O que eu sinto no peito e não posso dizer Só porque não sei chorar É ao vivo triste a sofrer Quero chorar Não tenho la que mais É só espaço Pra mim chorer Se eu chorasse, talvez te acaba passe Me sinto no peito Não posso dizer Só porque não sei chorar, eu vivo que te assor Estou certo que o rito não tem nenhum valor A lágrima sentida É um retrato de uma dor O destino há sim quis De me te separar Eu quero chorar, não posso Eu vivo a embora De um quero chorar Vai só dormir Se eu chorar Me sinto no pé Não posso dizer Só porque não sei chorar é o triste a sofrer Porque llorar No tengo además Que me acostumé a vivir si llorara descubrir Una pena que no es para mí como no sé llorar Es que te quiero llorar Quiero llorar No tengo la que más Es que me acostumbré a vivir a descubrir lo que tengo en hacerlo Juan Lieu is uh I betan This is wonderful beautiful slow Zamba Well Zamba was always um normally much faster But this is um samba you can um dance to European uh comparison Yeah with the 52 uh beats to the bar in anyway And it's music uh you can even listen to and down dance and I hope you enjoy the show next come comes Henning H.

SPEAKER_01 1:19:56

Buckhouse with a tango uh wish 32 beats to the bar Night Tango You're listening to Pop Mondial Radio. Played as um strict fox rock by Max Gregor and his father stride water it goes on with James Norton and Greg Edelman uh with the Richard Brooklyn cast. Um very fast quick step you're nothing without me.

SPEAKER_03 1:25:27

You are some gumshoe, you just don't think we'll get this dumb gumshoe you come from my ink. Well is your mouth only with one foot in there? Stone your brain only holds thoughts I put in there just what you are I'll smell out. You are a novel pain. One speck of lint that fell out the last time that I picked my brain.

SPEAKER_05 1:25:59

You are so jealous of my track record, Tolstoy to tell us your feeble hack record, your weak knees, brand new, soft and unstable. One small thread, and you fold like a card table. You drool at my adventures, your broads in bed are bored. Go home and soak your dentures. Your pen is no match for my sword. You're nothing without me.

SPEAKER_03 1:26:36

I know who goes divide the world exist, you never miss. I tell you you're out of my blood.

SPEAKER_04 1:26:52

You're in love, my father.

SPEAKER_03 1:26:56

And no one wants out me with my blood, I'm still your creator. I call each other, I'm your private dictator. You are so thick, you eat free sleep fiction. I'm your meal ticket, me defincy fiction, you gloating ignoramus, you haven't any shame.

SPEAKER_05 1:27:28

Hey, I'm a famous Seamus, and most people don't know your name.

SPEAKER_03 1:27:42

You're not famous without me, without me, you don't stop me.

SPEAKER_01 1:31:15

The most beautiful slow fox Sing It With Music by Erwin Berlin, composer. Played by Evelyn Lynn and the Zitong Dance Orchester. Let's dance on Pokemon Radio. Yeah. Nice sum about now. So let's dance. Next come the peppers from 70s with Pepper Box. And Penny with Warchild. You listen to our flagship. Let's dance. We dance to everything. I hope it's happy music for you. Even if you just listen. In the moment it's sixteen to eighteen hundred Paris time. Um as we're standing mid-October, but we might move it up later. Well what do you dance today? Of course. A Zamba, a slow Zamba. This is the original version of the 70s. This is a Villa Warren.

SPEAKER_17 1:38:56

Just as for your Well, of course you can do a slow as in half.

SPEAKER_01 1:39:32

I like um beautiful music. Beautiful dance music. Excuse me. Um you must be a very good dancer to do um Vienna voice on eight um small than sixty beats, but slow voice would do if you cut it uh to the half. Um beautiful song, beautiful melody. Sometimes with pop music it's difficult to spot uh the rhythm. Um you must be an experienced dancer. Wow. Next comes um dance orchestra, one of the great in the world, um Gunda Norris, and he's doing waltzing paradise, and this is a Vienna Wards, definitely.

SPEAKER_12 1:46:32

I'm a happy dreamer.

SPEAKER_01 1:48:15

It could be a samba, it could be disco box, it could be a quick step. Swiss laid back doing um their classic happy dreamer here on Pokemon Ya Radio. So let's dance. We believe in love and uh dance music. Barbie girl, this was um well um homage on uh the Barbie um uh girl um doll um um in the 90s. Um this is um the class hall dance orchestra doing a cha-cha-cha on it.

SPEAKER_27 1:48:55

Hiya Barbie! Hi Ken! You wanna go for a ride? Sure Ken! Jump in!

SPEAKER_14 1:49:01

I'm a Bobby doll, in a bobby wow, lap and fasty, it's fantastic, you can bust my hand, I'm pressing everywhere, invagination, lack is every day. Come on, Bobby, let's go, body. I'm a bobby bow, in a bobby well, lap and fasty, it's fantastic, you can bust my hand, I'm pretty everywhere, Impegination, lack is every day.

SPEAKER_27 1:49:34

I'm a bow, I'm a dog, I'm a bow, press me well, press me up, make me die, then you're gonna be down, rock and roll, feel it down a resty, and we there, thank you, thank you.

SPEAKER_14 1:50:00

In the body world, life is badly, it's a bad seat, it's and bust, busty everywhere. In death and life is every age.

SPEAKER_27 1:50:13

Come on, body, lift to body. Come on, body, let's go body. Come on, body, lift a body. Come on, body, let's go body.

unknown 1:50:29

Make me walk, make me talk, do whatever you please. I can act like a star, I can beg a body.

SPEAKER_27 1:50:36

Come jump in, be my friend. Let's do it again. Let's go body. You can dance.

unknown 1:50:46

You can body.

SPEAKER_27 1:50:52

Come on, body, let's go body. Come on, body, let's go body. Come on, body, let's go body. Come on, body, let's go body.

unknown 1:51:11

Lot and dusty. It's a bad free. Impegnation laughing every day. I'm a body burst. Love it, baby. It's a tough free.

SPEAKER_14 1:51:33

Imagination laughing every day.

SPEAKER_01 1:51:48

This is a strict church with a strict dance orchestra called Klaus Haen from Germany. From the um newer board of dance orchestras, Tony Evans is in the middle from England here with a rumor from Phantom of the Opera. It's a beautiful melody by Andrew Webb, and all I ask of you from the musical Phantom of the Empire, Played as a Roomba. This is Glenn Miller's um I know why. Played by Max Gregor, I think. Um I don't recognize as a Slow Fox anymore. Definitely um from a dance album of Max Gregor. I know why, and the morning after. But anyway, uh I thank you for listening to this show. Uh I leave you uh with um a band from my hometown in France um and uh Jubel. Uh you know this. Um we did this um at um a beach party um in um the early of this century. Um it's now aborted and it's coming from Clean Gate. Thanks for listening.

SPEAKER_20 1:57:18

Yes Joe, the producer, that's it, I don't know. I want it up for everyone, so while we're losing time.

SPEAKER_00 2:00:39

This is Let's Dance.